There is also a lot of fun to be had by editing the formants of each note in a sequence for odd special effects. This allows natural slides to remain in place, and improves the results greatly. Smart Controls (small box and triangles surrounding an audio event) now allow you to edit everything in situ.Įven better is the ability to alter where the pitch correction should begin and end for each note. No longer do you need to switch between slicing and adjustment modes or keep moving from event to parameter sliders to make changes. VariAudio 3 redesigns things to make the process much quicker. Previously, Cubase offered decent pitch-editing capabilities, though it lacked finesse when dealing with trickier source material. We suspect that Steinberg will tweak this feature in response to user feedback, but at the moment it doesn’t quite feel 100% ready for the big time.Īudio manipulation has also seen significant enhancements with the move to VariAudio 3. However, better results could be achieved using conventional, but long-winded, editing techniques. Barring the creation of odd pitch changes, which were tracked down to an incorrectly-set audio algorithm, I did find some of the results acceptable. We must admit that our initial excitement was tempered by the variability of results.
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There are various processing options, and adjustable precision, but once set, everything happens with a single-button click. Steinberg has come to the rescue in C10, and using it requires little more than dragging two pieces of audio into the new Audio Alignment panel.
#CUBASE 10 PRO PRO#
Up until now third-party tools such as VocALign/Revoice Pro have helped, but require audio to be transferred between programmes. Anyone who has had to line up and tighten multiple vocal takes will know that anything to make the process easier is a real time-saver. The one that most caught our attention was the new Audio Alignment function. Let’s look at some more significant changes and additions. We did crash out of Cubase 10 a few times when exporting audio from some tracks started in C9.5, but largely the process went pretty well. The C10 licence also give you access to previous versions, so if you are nervous about making the transition, it’s possible to stick to using the latest version only for new tracks.
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However, most configuration choices are copied to the new version, making the transition relatively seamless.
#CUBASE 10 PRO FULL#
It’s worth pointing out that if you are upgrading from a previous version of Cubase, each full or half-step iteration gets its own installation folder and associated setup/preference files. This streamlining is a good idea, though it may irritate those who are used to this way of working. Upgraders will also notice that the dropdown menus (when Ctrl+ right-clicking), are now fully context-sensitive (rather than offering all possible menu options).